BOMB 145 / Fall 2018
$4.00
In the process of putting together each new issue of BOMB, we often come across distinct resonances between interviews—shared themes, creative preoccupations, and even specific phrases crop up time and again within otherwise disparate features. In these pages, artists discuss their expansive notions on collaboration. Their practices tend to split, reapportion, or redefine authorship, privileging process over individual intention and encouraging unique partnerships with spectators, local communities, film subjects, and one another. These willful acts of reaching out and beyond are as vital as ever, and worth emphasizing here.
—The Editors
INTERVIEWS
ART - MARCOS CASTRO and BARIS GOKTURK by Sabine Russ
FILM - J.P. SNIADECKI by Nicolás Pereda
ART - ANN HAMILTON and AUDRA WOLOWIEC
ART - SHAHRYAR NASHAT and ADAM LINDER by Aram Moshayedi
ART/PERFORMANCE - LAS NIETAS DE NONÓ by Pepón Osorio
THEORY + PRACTICE - ANDREA FRASER and HELEN MOLESWORTH
LITERATURE - SHERWIN BITSUI by Joy Harjo
LITERATURE - MARCIA DOUGLAS by Loretta Collins Klobah
FIRST PROOF
Portfolio by Alejandro Luperca Morales
Fiction
"Trigger" by Shelly Oria and Nelly Reifler
"Yavush" by Selena Anderson
Poetry
Four Poems by Savannah Cooper-Ramsey, Winner of BOMB's 2018 Poetry Contest
"Attempt to Be Adequate to the Experience of Loving an Animal" by Diana Hamilton
Three Poems by Ken White
Comic
"Mr. Vladimir Putin's Photo with Women" by Deb Sokolow
ESSAY
My Serpukhov by Victoria Lomasko
JOURNAL
Faceless Plant: Sketch for Timothy Morton by Heidi Norton
EDITOR'S CHOICE
Dirty Plotte—The Complete Julie Doucet
by Austin English
Leigh Ledare's The Task
by Steve Macfarlane
Stephen Maing's Crime + Punishment
by Stephanie E. Goodalle
Daaimah Mubashshir's The Immeasurable Want of Light
by Rachel Valinsky
Tori Kudo's GALA-KEI
by Keith Connolly
The Otolith Group's O Horizon
by Rahel Aima
Shiv Kotecha's The Switch
by Corina Copp
END PAGE
Kameelah Janan Rasheed
On the cover: Las Nietas de Nonó, production photo from Foodtopia: Manifestaciones en Periodo de Caza, 2018. Courtesy of the artists.
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