BOMB 158 / Winter 2022

$5.00

INTERVIEWS

ART/SCIENCE - ILONA RUEGG and JAMES BEACHAM

ART - RENÉE GREEN
by Gloria Sutton

LITERATURE - SOLMAZ SHARIF
by Alina Stefanescu

FILM - BASSEM SAAD
by Shiv Kotecha

MUSIC - HENRY THREADGILL
by Frederic Tuten

LITERATURE - JAMES HANNAHAM
by Amitava Kumar

ART - MARINA ADAMS and MARTHA TUTTLE


ESSAY

The Opacity of Grief by Tina M. Campt


FICTION

Before There Was Light by Christine Vines

Twenty Hours by Kim Fu

The Day Uranus Entered Scorpio (Old Story with Benefits)
by Caio Fernando Abreu, translated by Bruna Dantas Lobato

The Cigarette Painter by Sebastian Castillo


COMIC

Soup by Warren Craghead III


POETRY

American Upanishad (III) by Amit Majmudar

Two Poems by Xan Phillips


PORTFOLIO

by Seher Shah


FROM THE ARCHIVE

Sebastián Silva by Christian Viveros-Fauné


EDITOR’S CHOICE

Painting Is a Supreme Fiction: Writings by Jesse Murry, 1980–1993
by Sheryl Oppenheim

Hasanthika Sirisena’s Dark Tourist: Essays
by Ilana Masad

Richard Peete and Robert Yapkowitz’s Karen Dalton: In My Own Time
by Jason Diamond

Amy Ruhl’s Between Tin Men 
by Amber Power

Zachary Lazar’s The Apartment on Calle Uruguay
by Sophie Poole

ASUNA’s 100 Keyboards 
by Jacob Gordon

David Coles’s Chromatopia: An Illustrated History of Color
by Sabine Russ


On the cover: Renée Green, Import/Export Funk Office, 1992. KW Institute for Contemporary Art, 2021. Installation view. Photo Frank Sperling.

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